Home | The Art Institute of Chicago Located downtown by Millennium Park, this top art museum is TripAdvisor's #1 Chicago attraction—a must when visiting the city
Visit | The Art Institute of Chicago Looking for things to do in Downtown Chicago? Plan your visit, find admission pricing, hours, directions, parking more!
Documentation | Art Institute of Chicago API The Art Institute of Chicago's API provides JSON formatted data as a REST-style service that allows developers to explore and integrate the museum’s data into their projects This API is the same tool that powers our website, our mobile app, and many other technologies in the museum
Dining | The Art Institute of Chicago Terzo Piano Featuring stunning views of the Chicago skyline and Millennium Park, this 160-seat restaurant is open for lunch seven days a week, Thursday evenings, and Sunday brunch Headed by award-winning chef Tony Mantuano, Terzo Piano features authentic Italian ingredients and local, organic, and sustainable foods in simple but elegant dishes
Excavation | The Art Institute of Chicago Excavation, Willem de Kooning’s largest painting up to 1950, exemplifies the artist’s innovative style of expressive brushwork and distinctive organization of space into loose, sliding planes with open contours According to de Kooning, his point of departure was an image of women working in a rice field from Bitter Rice, a 1949 Italian Neorealist film The mobile structure of hooked
Admissions | The Art Institute of Chicago We look forward to welcoming you to the galleries! If you have questions during the ticket purchase process, email [email protected] Thinking of visiting us more than once? Consider membership for the best museum value Become a member today
Art Institute of Chicago The Life of Meresamun: A Temple Singer in Ancient Egypt, exh cat (Chicago: Oriental Institute of the University of Chicago, 2009), 19, fig 8 \n\nEmily Cole, \"Language and Script in the Book of the Dead,\" in Foy D Scalf, Book of the Dead: Becoming God in Ancient Egypt (Chicago: Oriental Institue, 2017), 43, fig 3 3 \n\nHolger Kockelmann
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